Uramichi Onii-San Review- The Woes of the Working Adult

Written by Rei Caldombra 8/27/2023 Video Version: https://youtu.be/7wxOLpZYGfc

I watched the Uramichi Onii San or Life Lessons with Uramichi-Oniisan anime and really enjoyed it! This is a very low spoiler review for anyone reading this who has not seen the show or read the manga. There are some direct spoilers, but this show is a slice of life comedy with no proper plot. So I would not be concerned about the spoilers I bring up ruining your viewing experience.

This is a pretty straightforward comedy with the flavoring of adult suffering. Quick synopsis-- this show is about a group of adults who work on a children’s tv program where kids are present on set. Most of the actors are very mentally unwell due to the daily stresses of life, to the point where they can’t even keep their masks on completely for their job. Which leads to very funny outbursts of depressing reality. 

It's really nice having a show about working adults and the mid 20s-early 30s age group that I think of as the earlier proper adult range. This is an age group that is usually just segmented to a few side characters in most anime and manga. As someone who has entered this age group in recent years, I relate a lot to what's going on here and, in a way, fear my approach to the age of the adults on screen lol. There are so many issues of adult suffering that get brought up here. To mention some of them- Numbness to emotions, not wanting to get out of bed, not having confidence that you will be willing to get up in the morning, that urge to go to a random place just to avoid going to work (I directly relate to his experience of his urge to get on a random bus rather than his work bus, but for me its been wanting to get on a random train). Feeling lost and directionless. Stuck in the day to day. Feeling unsatisfied with what your life is making out to be. Thinking you are dull. Pushing through difficult times for a specific goal. Having something you were passionate and successful at before that did not translate into a job in that field. Feeling despair over not being in a relationship, pressure to get married. Not having many friends. Relying on little moments of happiness. Needing to do your job no matter how terrible you feel. Feeling suppressed by society. Annoying unreasonable bosses. Considering a few days off in a row a momentous occasion. Even if you are not as mentally unwell as many of the characters in this show, if you are a working adult you will have lots of moments that you can relate to. 

While it does bring up these very real and depressing things, don’t misconstrued it as the tone being genuinely depressing or heavy. They really are played as jokes despite the truth to them both irl and for the characters in universe. This is not a show that will bring down your mood. The comedy works super well for me, I think the show is very funny. When it comes to shows that are primarily comedies, it's hard to say much more than that. Directly describing jokes takes away part of their punch for anyone who hasn't seen them already, and loses the context that helps make them funny, so I'm going to avoid bringing up specific segments I really liked, as much as I really want to talk about some of them. All I will say is the main bit of the show is the adult characters reacting to positive/innocent things with a jaded adult perspective. 

You can empathize very easily with the characters through their very relatable and real issues. This does a great job of getting you invested in the characters. I really like the inner monologues we get from Uramichi that show his thought process. The characters largely do feel like they could be real people. 

Having a character voiced by Mamoru Miyano is always a plus, I actually first came across this show because of clips of his character. There’s a lot of famous Japanese voice actors here- the previously mentioned legend, Hiroshi Kamiya, Sugita Tomokazu and Yuuichi Nakamura. I knew I recognized most of the main character’s voices when I first heard them. As such the voice acting is super good. 

I don’t know much about being a children’s programming actor, so it is interesting to get a glimpse into that. Such as the detail that the costumed characters' lines during a live show are prerecorded and played through speakers. It's also interesting seeing them adapt scenes to random things happening, like the kids asking certain questions. The characters needing to act and follow a script while also reacting to the chaotic element that is children makes for an interesting setting. I do feel I got a good glimpse into this space from Uramichi San. I tend to really like slices of life that focus on niche subjects. I like getting a glimpse into a space I know nothing about through something more interesting than documentaries or articles. And to me the mark of a good niche subject show is not successfully appealing to people already in that niche, it is being able to interest people who aren’t. If a show can keep someone with no knowledge or interest in that niche entertained, it’s got great writing and execution. And Uramichi San certainly did keep me interested.

I do have one talking point that does require bringing up some examples directly. One criticism I do have is that there's a bit of dissonance between whether you can take what the characters are saying as real or not. There are times when Uramichi will say something depressing while performing on the show and other characters would react as you would expect if someone said something they shouldn’t around kids. But then other times where he does and the characters don’t react as if he did. Sometimes you can assume the camera or audio is not going in these moments but there are moments where you can’t justify that. When they put on the concert is one place you see this. The jokes of the songs going from positive to depressing while continuing to have the energy of a kids song are genuinely really funny. But it does take you out of it a bit because in context that implies the song was actually written that way. Which doesn’t make sense for the in-universe shows writers to do. And it doesn’t make sense for the characters to suddenly not follow the song’s actual lyrics and not have anyone react weirdly to it, including the audience. It tends to leave you thinking something along the lines of “wait, are they just gonna leave that in?”.There is some internal consistency with the children reacting properly at least, as the show goes on the kids replicate the depressing ideas more often. Which is funny and makes sense. This doesn’t ruin things completely, but it does kinda hurt your desire to think about what the characters are doing more deeply due to the lax internal consistency. I think you just have to accept it's loose with these things and that the priority is telling jokes over having a 100% consistent view. It's a bit awkward but I can accept it because the jokes we get out of this are generally quite funny. 

When it comes to art and animation, it’s pretty good. There is extra fluidity during more high movement scenes which are nice to see. There are a lot of great expressions that manage to portray the impression of someone smiling through suffering. The overall presentation of colors, character designs, etc. are good too and fit with the setting of a children's program. I like the variety of hairstyles we get from all the characters. I have no complaints in the presentation department. 

I enjoyed this show a lot! I love these barely functional adults whose hinges are largely broken. It’s very funny and I like the adult themes it brings up. It’s not perfect in its execution at times, which can break your immersion a bit, but what you get from that loose attitude still works. Despite frequently bringing up depressing subject matter that any adult out there will find something to heavily relate to, it manages to keep a very silly and positive tone. This show comes very highly recommended! I hope you are properly taking care of yourselves my fellow working adults. Stay strong and thanks for reading!

Also Kumatani best boy.

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